#Korea serial killer free#

Wi Ha-Joon is suitably deranged Do-Sik takes great pleasure at his unhinged violence.

Kyung-mi and her mother are entirely on their own in this lethal plight. Thanks to an uncaring and uneducated public, wide open spaces that should give our protagonist a reprieve leave her the most vulnerable. Spaces that should offer safety get corrupted. Kyung-mi escapes an overtly dangerous-looking area in the inciting event but then breathlessly works to shut down all possible means of escape, prompting brutal confrontation. The way the filmmaker utilizes space and systematically corners his heroine makes Midnight stand out. Enter So-jungвЂ™s brother ( Park Hoon), desperate to find her, and a pair of clueless but well-intentioned patrolmen, and you have an unpredictable scenario that forces Do-Sik to find new ways to evade suspicion and continue his pursuit. The darkly lit backstreet means she didnвЂ™t get a good look at her assailant, either. After her encounter with the bloodied So-jung, she runs straight for a well-lit area that allows her to call for aid immediately, but her hearing impairment means she canвЂ™t hear the police answer her call. Much of it revolves around Kyung-miвЂ™s fighting spirit and forced adaptability thanks to a society that doesnвЂ™t know what to do with her.

Writer/Director Kwon Oh-seung never fails to find innovative ways to keep the story moving at a brisk clip while taking unexpected turns.

#Korea serial killer free#

ThatвЂ™s before So-jung breaks free just long enough to put Kyung-miвЂ™s guard up, sparking a twisted game where the killer hides in plain sight. Do-Sik hasnвЂ™t even finished with his current victim, So-jung ( Kim Hye-Yoon), when he targets Kyung-mi, presuming her deafness will make her an easy mark. They discuss their plans to take a trip while embarking on their regular nightly routine, unaware that theyвЂ™ve both caught the notice of Do-Sik ( Wi Ha-Joon), a mysterious serial killer thatвЂ™s been stalking their neighborhood. Kwon Oh-seungвЂs debut feature, Midnight, enters the pantheon of breathless thrillers, delivering a propulsive, unpredictable film thatвЂ™s lighter than most of its ilk but no less intense or well crafted.ДЄfter a long workday, Kyung-mi ( Ki-joo Jin) meets with her mother ( Hae-yeon Kil). Especially when serial killers enter the equation, with a cat and mouse chase thatвЂ™ll leave all parties irrevocably changed. When it comes to unrelentingly bleak and suspenseful thrillers, South Korean cinema reigns supreme.